White is no font of compassion: He kills a few cops, 'no real people,' in front of Orange. He also holds the younger man when Orange says he's scared and whispers something that actually makes Orange laugh. Telling Orange his first name complicates bringing the wounded man to a hospital, but it was something that White felt compelled to do to comfort him. 'All this blood's scaring the s*** outta me, Larry, I'm gonna die. Two confessions are made, in which both men say things they know they shouldn't - a sentiment that Tarantino describes on the DVD commentary as 'beyond honor, with a little bit of humanity in there.' Audiences learn that White's real name is Larry as White drives the wounded Orange to the warehouse.

The camaraderie between White and Orange adds poignancy to Reservoir Dogs' bloody finale. Astute listeners will recognize the voice of DJ K-Billy as that of deadpan comedian Steven Wright. I was thinking, 'Oh my God, this is gonna be awesome!'' Writer-producer Roger Avary, who shares a screenwriting Oscar with Tarantino for Pulp Fiction, also shares writing credit in Reservoir DogsВ for the dialogue of the DJ hosting the 'Super Sounds of the Seventies' weekend accompanying the action. Tarantino, who has an extensive vinyl collection, told Rolling Stone that he was open to using another song for that particular moment, but he tried Stealers Wheel during auditions, and it stuck: 'The first time somebody actually did the torture scene to that song, the guy didn't even have a great audition, but it was like watching the movie. And boy, does it make them notable: 1972's 'Stuck in the Middle with You' by Stealers Wheel is forever linked to the infamous scene in which Blonde tortures Officer Nash by slicing off his ear. The Reservoir Dogs soundtrack has no original compositions: It is composed entirely of songs that already existed.

Mr. brown reservoir dogs